Grammy Awards - 6th 1963
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Record of the Year
| “The Days of Wine and Roses,” Henry Mancini
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| Album of the Year
| The Barbra Streisand Album, Barbra Streisand (Columbia)
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| Song of the Year
| “The Days of Wine and Roses,” Henry Mancini and Johnny Mercer, composers
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| Best New Artist of 1963
Swingle Singers
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| Best Vocal Performance, Male
| “Wives and Lovers,” Jack Jones
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| Best Vocal Performance, Female
| The Barbra Streisand Album, Barbra Streisand
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| Best Performance By a Vocal Group
| “Blowin' in the Wind,” Peter, Paul and Mary
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| Best Performance By a Chorus
| Bach's Greatest Hits, Swingle Singers
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| Best Rock and Roll Recording
| “Deep Purple,” Nino Tempo and April Stevens (Atco)
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| Best Rhythm and Blues Recording
| “Busted,” Ray Charles (ABC/Paramount)
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| Best Instrumental Jazz Performance, Soloist or Small Group
| Conversations With Myself, Bill Evans
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| Best Instrumental Jazz Performance, Large Group
| Encore: Woody Herman, 1963, Woody Herman Band
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| Best Original Jazz Composition
| “Gravy Waltz,” Steve Allen and Ray Brown, composers
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| Best Country and Western Recording
| “Detroit City,” Bobby Bare (RCA)
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| Best Gospel or Other Religious Recording (Musical)
| “Dominique,” Soeur Sourire (The Singing Nun) (Philips)
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| Best Folk Recording
| “Blowin' in the Wind,” Peter, Paul and Mary (Warner Bros.)
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| Best Performance By an Orchestra for Dancing
| This Time by Basie! Hits of the '50s and '60s, Count Basie
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| Best Performance By an Orchestra or Instrumentalist With Orchestra, Not for Jazz or Dancing
| “Java,” Al Hirt
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| Best Instrumental Arrangement
| “I Can't Stop Loving You,” Quincy Jones, arranger
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| Best Background Arrangement
| “The Days of Wine and Roses,” Henry Mancini, arranger
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| Best Instrumental Theme
| “More” (Theme From Mondo Cane), Norman Newell, Nino Oliviero and Riz Ortolani, composers
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| Best Original Score From a Motion Picture or Television Show
| Tom Jones, John Addison, composer
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| Best Score From an Original Cast Show Album
| She Loves Me, Jerry Bock and Sheldon Harnick, composers (MGM)
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| Album of the Year, Classical |
Britten, War Requiem, Benjamin Britten conducting London Symphony Orchestra and Chorus (London)
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| Most Promising New Classical Recording Artist
| André Watts, pianist
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| Best Classical Performance, Orchestra
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Bartók, Concerto for Orchestra, Erich Leinsdorf conducting Boston Symphony Orchestra
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| Best Classical Performance, Chamber Music
| Evening of Elizabethan Music, Julian Bream Consort
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| Best Classical Performance, Instrumental Soloist(s) (With Orchestra)
| Tchaikovsky, Concerto No. 1 in B-Flat Minor for Piano and Orchestra, Artur Rubinstein; Erich Leinsdorf conducting Boston Symphony Orchestra
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| Best Classical Performance, Instrumental Soloist or Duo (Without Orchestra)
| The Sound of Horowitz, Vladimir Horowitz
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| Best Opera Recording
| Puccini, Madama Butterfly, Erich Leinsdorf conducting RCA Italiana Opera Orchestra and Chorus; solos: Price, Tucker and Elias (RCA)
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| Best Classical Performance, Choral
| Britten, War Requiem, David Willcocks directing Bach Choir; Edward Chapman directing Highgate School Choir; Benjamin Britten conducting London Symphony Orchestra and Chorus
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| Best Classical Performance, Vocal Soloist (With or Without Orchestra)
| Great Scenes From Gershwin's Porgy and Bess, Leontyne Price
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| Best Classical Composition By Contemporary Composer
| War Requiem, Benjamin Britten, composer
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| Best Comedy Performance
| Hello Mudduh, Hello Faddah, Allan Sherman
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| Best Documentary, Spoken Word or Drama Recording (Other Than Comedy)
| Who's Afraid of Virginia Woolf?, Edward Albee (Warner Bros.)
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| Best Recording for Children
| Bernstein Conducts for Young People, Leonard Bernstein conducting New York Philharmonic (Columbia)
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| Best Album Cover, Other Than Classical
| The Barbra Streisand Album, John Berg, art director (Columbia)
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| Best Album Cover, Classical
| Puccini, Madama Butterfly, Robert Jones, art director (RCA)
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| Best Album Notes
| The Ellington Era, Stanley Dance and Leonard Feather, annotators (Columbia)
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