Grammy Awards - 8th 1965
Record of the Year | “ A Taste of Honey,” Herb Alpert and the Tijuana Brass
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Album of the Year | September of My Years, Frank Sinatra (Reprise)
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Song of the Year | “The Shadow of Your Smile” (Love Theme From The Sandpiper), Paul Francis Webster and Johnny Mandel, songwriters
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Best New Artist | Tom Jones
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Most Promising New Recording Artist | Peter Serkin, pianist
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Best Vocal Performance, Male | “It Was a Very Good Year,” Frank Sinatra
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Best Vocal Performance, Female | My Name Is Barbra, Barbra Streisand
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Best Performance By a Vocal Group | We Dig Mancini, Anita Kerr Singers
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Best Performance By a Chorus | Anyone for Mozart?, Swingle Singers
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Best Contemporary (Rock and Roll) Single | “King of the Road,” Roger Miller
Best Contemporary (Rock and Roll) Vocal Performance, Male | “King of the Road,” Roger Miller
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Best Contemporary (Rock and Roll) Vocal Performance, Female | “I Know a Place,” Petula Clark
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Best Contemporary (Rock and Roll) Performance Group (Vocal or Instrumental) | “Flowers on the Wall,” Statler Brothers
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Best Rhythm and Blues Recording | “Papa's Got a Brand New Bag,” James Brown (King)
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Best Instrumental Jazz Performance, Small Group or Soloist With Small Group | The “In” Crowd, Ramsey Lewis Trio
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Best Instrumental Jazz Performance, Large Group or Soloist With Large Group | Ellington '66, Duke Ellington Orchestra
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Best Original Jazz Composition | Jazz Suite on the Mass Texts, Lalo Shifrin, composer
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Best Country and Western Single | “King of the Road,” Roger Miller
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Best Country and Western Album | The Return of Roger Miller, Roger Miller (Smash)
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Best Country and Western Song | “King of the Road,” Roger Miller, songwriter
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Best Country and Western Vocal Performance, Male | “King of the Road,” Roger Miller
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Best Country and Western Vocal Performance, Female | “Queen of the House,” Jody Miller
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Best New Country and Western Artist | Statler Brothers
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Best Gospel or Other Religious Recording (Musical) | Southland Favorites, George Beverly Shea and the Anita Kerr Quartet (RCA)
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Best Folk Recording | An Evening With Belafonte/Makeba, Harry Belafonte and Miriam Makeba (RCA)
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Best Instrumental Arrangement | “A Taste of Honey,” Herb Alpert, arranger
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Best Arrangement Accompanying a Vocalist or Instrumentalist | “It Was a Very Good Year,” Gordon Jenkins, arranger
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Best Instrumental Performance, Non-Jazz | “A Taste of Honey,” Herb Alpert and the Tijuana Brass
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Best Score From an Original Show Album | On a Clear Day, Alan Lerner and Burton Lane (RCA)
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Best Original Score Written for a Motion Picture or Television Show | The Sandpiper, Johnny Mandel, composer (Mercury)
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Album of the Year, Classical | Horowitz at Carnegie Hall, An Historic Return, Vladimir Horowitz (Columbia)
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Best Classical Performance, Orchestra | Ives, Symphony No. 4, Leopold Stokowski conducting American Symphony Orchestra
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Best Classical Chamber Music Performance, Instrumental or Vocal | Bartók, The Six String Quartets, Juilliard String Quartet
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Best Classical Performance, Instrumental Soloist(s) (With Orchestra) | Beethoven, Concerto No. 4 in G Major for Piano and Orchestra, Artur Rubinstein; Erich Leinsdorf conducting Boston Symphony
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Best Classical Performance, Instrumental Soloist (Without Orchestra) | Horowitz at Carnegie Hall, An Historic Return, Vladimir Horowitz
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Best Opera Recording | Berg, Wozzeck, Karl Bohm conducting Orchestra of German Opera, Berlin; solos: Fisher-Dieskau, Lear and Wunderlich (Deutsche Grammophon)
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Best Classical Choral Performance (Other Than Opera) | Stravinsky, Symphony of Psalms; Poulenc, Gloria, Robert Shaw conducting Robert Shaw Chorale and RCA Victor Symphony Orchestra
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Best Classical Vocal Performance, With or Without Orchestra | Strauss, Salome (“Dance of the Seven Veils,” Interlude, Final Scene); The Egyptian Helen (Awakening Scene), Leontyne Price
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Best Composition By a Contemporary Classical Composer | Symphony No. 4, Charles Ives, composer
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Best Comedy Performance | Why Is There Air?, Bill Cosby |
Best Spoken Word or Drama Recording | John F. Kennedy: As We Remember Him (Columbia)
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Best Recording for Children | Dr. Seuss Presents “Fox in Sox” and “Green Eggs and Ham,” Marvin Miller (RCA)
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Best Album Cover, Graphic Arts | Bartók, Concerto No. 2 for Violin; Stravinsky, Concerto for Violin, James Alexander, graphic artist; George Estes, art director (RCA)
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Best Album Cover, Photography | Jazz Suite on the Mass Texts, Ken Whitmore, photographer; Bob Jones, art director (RCA)
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Best Album Notes | September of My Years, Stan Cornyn, annotator (Reprise)
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- 현재글Grammy Awards - 8th 1965
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